Typographie

More Jens Nilsson.

Identity for a Stockholm based coffee shop called Coffee Culture. This project was a pitch and unfortunately never fully used.

Adobe is one of my favorite typography project. I’ve made it for the Adobe
contest / Romania where we need to redesign the “A” from the Adobe
identity. Of course I didn’t won but for me remains one of my favorite
projects because of the hard work I put into this type.

*I was trying 6-7 months ago to convert it into a font, but is a pain in the ass. Sorry guys.

Totally worth a look anyway.

This designer’s website is not particularly well-designed, if I do say so myself, or perhaps my browser can’t handre it.

By the way, I have a totally self-indulgent tag for bright yellow images, and for bright red and white images. They both contain fewer images than I remember.

Via TwoPoints, visual identity for bambi/byLaura. (This is one of those “aaaaah so cool go look at the rest of this!” posts, but I’ll spare you.)

You know, I never thought to look in the Brand Identity section on Behance. brb trawling it

New Visual Identity for the [Museum of Image and Sound], who has recently updated its cultural position and expanded its focus for a hybrid art form. The identity intends to deconstruct different layers of information: grid, text, bitmap, vector and color. These layers can then be combined and overlapped in different ways, generating new codes, new graphical standards. The solid color form has no fixed proportion and acquires each time different dimensions. By the side of the word MIS, the solid form stands to the concept of “screen”, either of the cinema, computer, television, mobile etc.

Creating a mark for Tiffany was an interesting challenge: to design a monogram that could be small enough for the winder of a man’s watch, or large enough for a construction shed.

Work of Louise Fili.

cbardal:

Identity for a ‘non-traditional’ sweet shop

(via itsallgoodmostly)