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Tuesday, 18th December 2012
Kha is a casual bistro serving authentic Thai food including home-cooked selections from the chef’s family recipes and a collection of innovated modern interpretation of Thai Food. Taking cue from the modernization of the classic Thai cuisine, the brand looks to the era of Kings Rama IV and Rama V – the former welcomed westernization in Siam while the latter who had a full western education took the nation to modernization. Archival articles of the Rattanakosin Kingdom during this period were carefully examined and considered for this branding effort. The restaurant is positioned to be atypical from the usual Thai eateries, it is classy and elegant with removal of the superfluous stereotypical Thai ornamental elements.
(Source: creativeroots.org)
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Friday, 23rd November 2012
Corporate identity for London based menswear label Hopper & Lace. Reading the name, Edward Hopper played one of the main roles in influence to the labels work and philosophy. Whereas nudity and clothing form an important part in his figure paintings, the emotional expression of his characters, his use of color, light and shadow and the emptiness and simplicity in every scenery have been incorporated into the first collection.
(Source: septemberindustry.co.uk)
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Monday, 24th September 2012
Initial refined Logotype, Brochure and selection of art directed photography for renowned Scottish artisan and purveyor of fine farmhouse cheeses, I.J. Mellis.
(Source: pgerossi.co.uk)
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Tuesday, 11th September 2012
The Calgary (Alberta, Canada) Chamber of Commerce has been the city’s main connector of people, ideas, businesses and stories for more than 120 years. Appetite was responsible for updating the Chamber’s purpose, personality and brand strategy, together with a thorough redesign of their identity, all relying on the core concept, “beyond membership… belong”.
The new symbol expresses the Chamber’s values and strengths, which come from its diversity and members’ connectivity.
(Source: iancul.com)
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Tuesday, 4th September 2012
It’s completely gratuitous photosets hour on typographie.
(Source: iristarraga.com)
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Monday, 18th July 2011
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Sunday, 26th June 2011
Creating a mark for Tiffany was an interesting challenge: to design a monogram that could be small enough for the winder of a man’s watch, or large enough for a construction shed.
Work of Louise Fili.
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Wednesday, 9th March 2011
![New Visual Identity for the [Museum of Image and Sound], who has recently updated its cultural position and expanded its focus for a hybrid art form. The identity intends to deconstruct different layers of information: grid, text, bitmap, vector and color. These layers can then be combined and overlapped in different ways, generating new codes, new graphical standards. The solid color form has no fixed proportion and acquires each time different dimensions. By the side of the word MIS, the solid form stands to the concept of “screen”, either of the cinema, computer, television, mobile etc.](http://24.media.tumblr.com/tumblr_lel2avqgdq1qa41hgo1_500.jpg)
New Visual Identity for the [Museum of Image and Sound], who has recently updated its cultural position and expanded its focus for a hybrid art form. The identity intends to deconstruct different layers of information: grid, text, bitmap, vector and color. These layers can then be combined and overlapped in different ways, generating new codes, new graphical standards. The solid color form has no fixed proportion and acquires each time different dimensions. By the side of the word MIS, the solid form stands to the concept of “screen”, either of the cinema, computer, television, mobile etc.
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Sunday, 9th January 2011
You know, I never thought to look in the Brand Identity section on Behance. brb trawling it
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Tuesday, 12th January 2010
