Excuse me while I faint from typography-and-classical music-induced nerdgasms.

Excuse me while I faint from typography-and-classical music-induced nerdgasms.

I’ve posted a picture of Tungsten before. This one is much hotter, for a certain, very specific, non-weird value of hot that applies only to good-looking typefaces.

I’ve posted a picture of Tungsten before. This one is much hotter, for a certain, very specific, non-weird value of hot that applies only to good-looking typefaces.

I think I may have caught this person’s awkward boner for Didot.

I think I may have caught this person’s awkward boner for Didot.

This 144 page catalog  was created for an exhibition of drawings by Philip Taaffe held at the  Gagosian’s West 24th Street gallery space in New York City. It showcases  a selection of over 70 “Works On Paper” created between 2007 and 2009,  as well as texts by Robert Kelly, Peter Lamborn Wilson, and John Yau.
I want to look at this book—not for the pictures, but because it looks so refined.

This 144 page catalog was created for an exhibition of drawings by Philip Taaffe held at the Gagosian’s West 24th Street gallery space in New York City. It showcases a selection of over 70 “Works On Paper” created between 2007 and 2009, as well as texts by Robert Kelly, Peter Lamborn Wilson, and John Yau.

I want to look at this book—not for the pictures, but because it looks so refined.

typographie: