Contains list of season’s repertory; drawings by Léon Bakst and Pablo Picasso; costume designs for Parade; Les Femmes de Bonne Humeur; and Contes Russes; program information for numerous ballets; and photographs of Lónide Massine; Lydia Lopokova, Stanislas Idzikowski, Ernest Ansermet, Eric Satie, and others. (Content)

Contains list of season’s repertory; drawings by Léon Bakst and Pablo Picasso; costume designs for Parade; Les Femmes de Bonne Humeur; and Contes Russes; program information for numerous ballets; and photographs of Lónide Massine; Lydia Lopokova, Stanislas Idzikowski, Ernest Ansermet, Eric Satie, and others. (Content)

-
Wednesday, 23rd July 2014

Επιλογές is a small family run bookshop in Greece.

Not just a personal commission but a labour of love and my first contribution to Greek graphic design and typography.

Greek calligraphy is a fascinating discipline with more idiosyncrasies and anomalies than I could have hoped for. Many thanks go to Gerry Leonidas for offering his expert advice on the subject. I’d also like to pay respect to Gert Wunderlich and his beautiful buchkunst, the inspiration behind the Επιλογές symbol.

(Source: work.andreasneophytou.com)

-
Wednesday, 23rd July 2014

This is a travel guide aka survival guide for students in vienna, either for backpackers or regular ones. What you see here is the result of a student project in my first year of college.

(Source: behance.net)

-
Wednesday, 23rd July 2014

»Die Blaue Stunde« – die Zeit zwischen Tag und Nacht, der Zustand des Dazwischen, eine Dämmerstimmung voller Intuition, der Übergang von Altem zu Neuem, war das Motto der Werkschau im Winter 2011-12. »Die Blaue Stunde« beschreibt die Situation der Studenten zwischen Studium und Berufsleben.
Im Team erarbeiteten wir das Konzeptdie Gestaltung und Umsetzung der einzelnen Medien wie Fotografien, Katalog, Poster, Film sowie die Organisation der Feier und Ausstellung.

»Die Blaue Stunde« – die Zeit zwischen Tag und Nacht, der Zustand des Dazwischen, eine Dämmerstimmung voller Intuition, der Übergang von Altem zu Neuem, war das Motto der Werkschau im Winter 2011-12. »Die Blaue Stunde« beschreibt die Situation der Studenten zwischen Studium und Berufsleben.

Im Team erarbeiteten wir das Konzeptdie Gestaltung und Umsetzung der einzelnen Medien wie Fotografien, Katalog, Poster, Film sowie die Organisation der Feier und Ausstellung.

-
Tuesday, 22nd July 2014

Washington Manuscript I - Deuteronomy and Joshua (Codex Washingtonensis)
early 5th centuryInk on parchmentH: 30.6 W: 25.8 cmEgyptGift of Charles Lang Freer F1906.272
This parchment codex comprises one hundred two leaves divided into quires (booklets). Each quire is numbered on the first page. Because the numbers begin with 37 and continue through 60, it is clear that the first thirty-six quires are missing-likely the books of Genesis through Numbers.
Chapter divisions of irregular length are signaled by an enlarged initial letter outside the left margin. The manuscript also offers an early example of rubrication (from the Latin rubricare, “to color red”), writing in red ink to give visual emphasis to the divisions of a text. Rubrication became a common practice in European manuscripts beginning in the seventh century.
Various scribes worked on this manuscript, but only two hold much interest. One, probably contemporary with the original scribe, made some corrections. A century or two later, another scribe noted in a cursive script where a reading was to begin and end, and when the reading was to be done.

Washington Manuscript I - Deuteronomy and Joshua (Codex Washingtonensis)

early 5th century
Ink on parchment
H: 30.6 W: 25.8 cm
Egypt
Gift of Charles Lang Freer F1906.272

This parchment codex comprises one hundred two leaves divided into quires (booklets). Each quire is numbered on the first page. Because the numbers begin with 37 and continue through 60, it is clear that the first thirty-six quires are missing-likely the books of Genesis through Numbers.

Chapter divisions of irregular length are signaled by an enlarged initial letter outside the left margin. The manuscript also offers an early example of rubrication (from the Latin rubricare, “to color red”), writing in red ink to give visual emphasis to the divisions of a text. Rubrication became a common practice in European manuscripts beginning in the seventh century.

Various scribes worked on this manuscript, but only two hold much interest. One, probably contemporary with the original scribe, made some corrections. A century or two later, another scribe noted in a cursive script where a reading was to begin and end, and when the reading was to be done.

-
Tuesday, 22nd July 2014

Identity for A-class interior design team Spilt Milk. Website and other collateral coming real soon.

Identity for A-class interior design team Spilt Milk. Website and other collateral coming real soon.

-
Monday, 21st July 2014

(Source: makenice.me)

-
Monday, 21st July 2014

Intro, visual graphics, supers and bumpers for the tv series STIL shown on the norwegian channel TV2 in 2012. Stil (in english, Style) is a program series about fashion and personal style. In each episode the hosts Dorthe Skappel and Mariann Thomassen meet different people in different environments discussing their individual style.
Done while working at Anti Designstudio.Animation by Motion Blur

Intro, visual graphics, supers and bumpers for the tv series STIL shown on the norwegian channel TV2 in 2012. Stil (in english, Style) is a program series about fashion and personal style. In each episode the hosts Dorthe Skappel and Mariann Thomassen meet different people in different environments discussing their individual style.

Done while working at Anti Designstudio.
Animation by Motion Blur

(Source: behance.net)

-
Sunday, 20th July 2014

Redesign and packaging for the company owned by the well—known fashion designer Roberto Verino.

The initial concept was born from the special situation of the wine house, residing on an slanted hill, under the impresive castle of Monterrey. A constant search of elegance and soberty works all across the stationary, packaging and communication items.

(Source: solofficial.com)

-
Sunday, 20th July 2014
-
Sunday, 20th July 2014

Bakgrunnen for årets konsept er Emos ønske om å formidle at de ligger langt fremme i bruk av digital kommunikasjon. Her har vi brukt produktene som piksler og bygd opp motiver som så er fotografert. På omslaget er det skapt en QR-kode av post-it lapper som linker til den digitale utgaven av katalogen. Målet er at kundene får inspirasjon til å skape sine egen illustrasjoner.

(Source: uniform.no)

-
Saturday, 19th July 2014

Manuscript title: Odo of Cluny, Gregorii M. expositio libri Job in compendium redacta
Manuscript summary: Gregorii M. expositio libri Job ab Odone Cluniacensi in compendium redacta. Odo of Cluny’s (Abbot 927-942) adaptation of Gregory the Great’s commentary on the Book of Job. The ornamental initials of the manuscript, which was not created in St. Gall, stylistically indicate the 8th century. Many pages contain the unidentified monogram of a copyist. (dor)
Origin: France (?)
Period: 10th century
Image source: St. Gallen, Stiftsbibliothek, Cod. Sang. 205: Odo of Cluny, Gregorii M. expositio libri Job in compendium redacta

Manuscript title: Odo of Cluny, Gregorii M. expositio libri Job in compendium redacta

Manuscript summary: Gregorii M. expositio libri Job ab Odone Cluniacensi in compendium redacta. Odo of Cluny’s (Abbot 927-942) adaptation of Gregory the Great’s commentary on the Book of Job. The ornamental initials of the manuscript, which was not created in St. Gall, stylistically indicate the 8th century. Many pages contain the unidentified monogram of a copyist. (dor)

Origin: France (?)

Period: 10th century

Image source: St. Gallen, Stiftsbibliothek, Cod. Sang. 205: Odo of Cluny, Gregorii M. expositio libri Job in compendium redacta

(Source: behance.net)

-
Friday, 18th July 2014
-
Thursday, 17th July 2014

Re-brand for Anchor, a Fashion Sales Agency based in Melbourne. Outcomes acheived thus far include business cards, website and showroom signage. Business cards letterpress printed on Wild 450gsm.

(Source: behance.net)

-
Tuesday, 15th July 2014